Welcome to a treasure trove of finely crafted collectibles, designed by award winning Caribbean gourd artist Andrea Jansen.
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Artist Statement



I am a self-taught artist, and my current focus is designing, carving and painting Calabash Gourds. In the late 1990's my husband and I moved to the island of Puerto Rico, and I began experimenting on a local, inedible, tree-born fruit, known locally as an higüera (pronounced ee-gwer-a). By not having any preconceptions of the gourd's traditional purposes, I had no limits on myself or my work. I now take these natural objects and create functional pieces which are also lovely to look at. I don't worry about whether or not my work is realistic. I love combining colors and adding details, and I keep my themes lighthearted. We arrived on our 33-foot boat, which remains my studio and our home. To say that the lifestyle and surroundings are inspiring is too simple, yet it happens to be true.

The Calabash trees of Puerto Rico bear fruit weighing as much as 15 pounds when ripe; once fully dried the outer shell is hard and dense like a hardwood, unlike its delicate, eggshell appearance. Harvesting gourds after the full moon is the first step, and then they are dried in the sun which, depending on size, can take up to 6 months. The typical way of working with these gourds is to cut them in half while green; however, for my pieces to retain their more intricate shapes over time they must be fully dried first.

"Don't worry about the world coming to an end today. It's already tomorrow in Australia"
...Charles Schultz



 

After marking the design, the gourd is cut using either a rotary tool or various hand tools. The inside resembles that of a walnut, and must be first scraped clean then sanded to remove two layers of skin; the outside has a single layer to remove. Unfortunately, these must be sanded off completely or the skin will flake off over time, along with my artwork. My husband helps with these nasty jobs. Throughout the aforementioned process, we must wear safety goggles, respirators and hearing protectors.

I use acrylic gouache paints both inside and out. Unlike its more porous, vine-grown cousin, the calabash by nature has a smooth interior surface, enabling me to paint with great detail, which I truly enjoy. Finished with a clear, protective coating, I may further embellish the gourd by adding leather lacing or local seashells, found while walking the little reef islands offshore. I try to keep the stem attached whenever possible. As was the case with several southern states where higüeras were once plentiful, the trees are considered a nuisance and increasingly destroyed.

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